'Alienation in the Music Industry\r'

' level though it has been quite a want time since Marx wrote nearly alienation, we can silence apply his ideas to contemporary jobs. As an supranational student and a semi-professional musician, I leave compare Marx’s ideas to Turkish and worldwide music sector and examine whether they cool it pertain. I beget been producing music for 12 years now and since last year I started producing music that really makes me belief satisfied. Last year, my band mates and me started seeking a record deal so that we could start making money.We read articles on ‘How to write a hit call option? ’, ‘How to sell a song? ’ and on the general trends in the music sector. We detect that almost all popular songs maintain a similar pattern. 2012 statistics of ‘album sales’ in Turkey clarifies that nearly all song in top 50 is wee-weed with a techno music vertebral columnground. â€Å"This emerging melodic style of dance music is produced by an precious level of labyrinthian technologies involving computerized, electronic, hybrid machines that supercede the traditional musical instruments. We can mention the same statistics in a international scale. We can understand techno music’s structure from digitally synthesized western chords and a digital baffle kicks in both beat. In my opinion constant drum kicks in this music is a groovy metaphor for laborers who have to go to their workplaces and do the same assignments over and over again. Beca enforce of its basic, continual and computerized structure, it can be produced by anyone with a computer and adequate recording software product.Alienation, in Karl Marx’s words â€Å"… replaces labour by machines but throws a cancel of the role players back to barbaric labour and turns the other part into machines. It produces culture, but also imbecility and cretinism for the worker. ” Because of its complex structure and wish for creativity, you cannot find any jazz songs in the best-seller list. In a globalized world we need to understand Marx’s ability to foresee this capitalist trend. â€Å"The need of a constantly expanding market for its products chases the middle class over the whole surface of the globe.It must(prenominal) nestle all over, settle everywhere, establish connections everywhere” . This restate made me think ab pop out the country that earns the most money out of this sector, United States of America. If we look at the Turkish music effort, it is obvious that songs that are most listened to are influenced by western musical traditions. Instead of creating music that has traditional Turkish elements or composing creative music, race tend to produce this global and mainstream writing style just to make money.Another reason for this word form of production is that approximately 90 portion of the recording software that Turkish producers use, such(prenominal) as example ‘Logic master’ and ‘Cubase’ are made in USA. These software don’t let you use microtonal notes and scales that Turkish music has. In magnitude to produce a digital song, your written report should be in Western structure. The quote â€Å"The external char presenter of labour for the worker shows itself in the fact that it is not his avow but someone else’s, that does not fit to him”(Ibid. ) pertains perfectly to this phenomenon.Lisiunia Romenienko wrote in his article that this fracture of IT and related technology ‘has had a diametral effect in music’. For him â€Å" ready reckoner technology has actually unified break communities involved in techno music production, change magnitude the quality of manufactured goods available to produce techno music, and facilitated cooperation across artistic and technological association factions… This has resulted in comprehensive collaboration arrangements and fat works of music production, thus optimizing artistic potential and maximizing opportunities for human creativity. In contrast to his opinions I think that this shift establishs alienation in music industry thus limiting creativity. This change causes musicians in developing countries to imitate mainstream artists in rank to join the global competition. People prise success based on how a lot money one is making. In secern to be a part of this competition, you have be successful, therefore musicians now create basic, pre-structured, mediocre music that affects a spacious part of the society.By linking the modern capitalist society, specifically the Turkish music industry to Marx’s thoughts on alienation, one can get out crucial elements of contemporary issues. His explanations on exteriorisation of labour and alienation in the act of production can be employ to describe how musicians are alienated in our modern society. It is clear to me that this trend of globalization and mass ma rketing limits creativity and personal identity in music, resulting in mediocre, similar and wretched quality works, which are devoid of show and taste. Bibliography 1. Istatistikler. ” Muyap. N. p. , n. d. Web. Oct. 2012. . 2. Romanienko, Lisiunia 2001, â€Å"Disputing Marxian Alienation and Hegelian Dialectics Through The electoral Affinities Of Techno Music” in No Walls Leicester, UK: De Montfort University 2001 3. â€Å" hoarding 200. ” Billboard. N. p. , n. d. Web. Oct. 2012. . 4. Kivisto, Peter. â€Å"Alienated Labor. ” Social Theory: root and Branches. New York: Oxford UP, 2011. 6-9. Print. 5. Marx, Karl, and Friedrich Engels. â€Å"Chapter 1. ” Manifesto of the Communist Party. capital of Red China: Foreign Languages, 1965. N. pag. Print.\r\n'